For all you geeks who are (quite rightly) freaking out over Gareth Edwards fantastic action epic The Raid, don’t forget he previously teamed up with Raid star Iko Uwais for the equally bone-crunching Merantau Warrior. Edwards debut picture is a simple and far-from original fight flick - young man heads to the big city to seek fortune and finds trouble around every corner - but his superb direction provides consistantly lush visuals and genuine thrills. Uwais is every bit the star he deserves to be, and the movie showcases the jaw-dropping Indonesian martial-art of Silat in one fabulous fight scene after another. This movie is available for mere pounds/dollars on Amazon. Simply put, see it.
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What an absolutely lovely, and terrifying, idea. This is from an unknown artist, but I’d love to see the comic behind it. Or maybe a movie, perhaps directed by Cronenberg or Guillermo Del Toro
The Man Who Haunted Himself (1970). A superb and criminally underrated British psychological thriller, with a fine performance from Roger Moore. If you think Moore is just the eyebrow-raising, wisecracking caricature of the Bond films then you’re in for a surprise. Worth seeking out for split-personality, dead-or-alive thrills.
He walked out of the office and into the street, pushing people aside, angry and confused at the suspension of his license. Agreed, the kid had fallen and was now lying in a hospital breathing through a tube, but was that really his fault? He couldn’t be everywhere at once.
His phone rang and he pulled it from a hidden pocket just below his ribs; the suit was designed to hide the bulge. He looked at the caller ID for a moment and then hit answer. ‘Yep?’
‘So they got to you too?’ The voice was deep, and for once without sarcasm.
‘Bureaucratic assholes. They’ve got no idea.’
‘Health and safety, my friend. Got a finger in every hole these days.’
‘They’ll shut us all down if they’re not careful.’
‘I think that’s the idea.’
Sirens bounced off the concrete of the city and flashing lights appeared on a brace of cruisers. As always his heart raced, and for a moment he almost chased after them, and then remembered that practice was over. For now. ‘So what do you want?’
‘You know where we meet. Friday at nine. More than welcome.’
He sighed. ‘Seriously? This little club you’ve got going? I don’t think swapping lies from behind the cape is really my thing. Maybe I’ll try the private sector.’
‘Suit yourself. Tough market though. Long hours. It’s a game for young bucks. Which you aren’t.’
The line went dead. He cursed and threw the phone, watched it soar up and into the skies over the Metropolis. He walked, head down, ignoring people who called his name or asked for an autograph. The streets were crowded and he’d like to have flown, but the repercussions were too serious. Idiots. Perhaps he’d take Joker up on the offer. It wasn’t ideal, but at least he could crack a few heads, stop a few bullets. At least until something better came along.
© Rich Wilson
Superb behind-the-scenes shot from the production of the original King Kong (1933). One of the crew working on the groundbreaking stop-motion effects (could be Willis O’Brian, hard to tell) helps Kong climb the Empire State Building, one painstaking frame at a time…
Just been writing about this classic movie. Here’s director Ridley Scott supervising the set-up while John Hurt lies with that nasty little facehugger over him in a brilliant behind-the-scenes shot from Alien. As iconic and essential as it ever was, and a film that always offers something new upon every viewing, no matter how many times I’ve seen it.
There are times when you just know a movie cannot live up to it’s poster. I’ve never had the pleasure of seeing DISCO 9000, but this is surely one of those times.
My 13 year old daughter is currently wearing a Nirvana t-shirt. Black, with the alternative fucked-up smiley image, you know the one I’m talking about. I had the exact same shirt, purchased at the Brixton Academy in 1992 after my second Nirvana show. That was a hell of a gig - moshed, sweating, raw sonic violence, Grohl pounding the skins, Novoselic hammering the bass, Kurt destroying everything with feedback, a whirling, screaming, skinny kid with a frankenstein guitar and the world at his feet. That shirt went with me to a lot of shows and a lot of places, got covered in things I don’t want to think about, and finally fell apart after years of faithful service. Now my kid has one. I hope she experiences plenty of life in it. But my God, just looking at her wearing it makes me feel old.
The Old Boys
A few months ago I did an occasional series of short pieces featuring legends who have somehow slipped into an alternative universe. Good fun to write, and I’ll knock out a few more in 2012. Here’s the first: Bob and Al in Working Blues…
The lights were low, the air heavy with the scent of incense. Smoke appeared like mist in the haze of the lamps. Pacino stretched his neck, heard the cartilage crack. ‘You really need that shit burning?’ he grumbled.
‘Yeah, I do. It helps me get in the zone, and I don’t see it disturbing you.’
‘You used to get in the zone with a pint of scotch. What the fuck happened to you, Bob?’ Pacino winced as he tweezed another hair from his nostril. ‘In fact, what the fuck happened to both of us?’
De Niro shrugged, stared at his aging profile lit by the bulbs around the greasy mirror, could just about remember how good he used to look. ‘A new breed came along my friend. Young and easy, without all the drugs and the baggage. Without the status of legends.’
‘Yeah? Well I liked being a legend,’ Pacino said. ‘What I don’t like is plucking hairs, sniffing your hippy sticks and sitting here in my own sweat.’ He sighed and rubbed a hand across his tired eyes. ‘You heard back from Marty lately?’
‘I leave messages, but he doesn’t return my calls,’ De Niro replied, unable to keep the disappointment from his voice. ‘Too interested in that kid DiCaprio these days.’
‘Fucking loser. I’ve seen no talent in that pretty little shit. And as for Scorcese, what the hell has he done recently? I saw Shutter Island, and it was no Goodfellas, let me tell ya.’
De Niro span around on his stool, the heavy woollen leggings he wore crackling with static. ‘Maybe not. But it wasn’t Rocky And Bullwinkle. And correct me if I’m wrong, but didn’t you grace the screen in Gigli?’
‘Oh, fuck you.’
‘Al, let’s face it, we took some wrong turns, made some bad choices. At least we’re still working.’
Pacino didn’t answer, just ran black panstick around his eyes and struggled his skinny frame into the thick brown vest that matched the leggings worn by his friend. Both of them stood together, and Pacino scooped up the horse head that lay in the corner, it’s empty eye sockets mocking him. In a few moments he knew his own manic stare would be filling those dark holes. He looked at De Niro for a moment, and in unison they picked up the .45’s from the dresser. There was nothing more to say, only actions to be taken.
A knock on the door, and a moment later a young, blonde man pushed his head around the frame. ‘Two minutes and we’re on, Gents,’ he said, his voice high and grating. ‘If we can just-’ He stopped and shook his head. ‘Jesus, how many times do I have to say it. No guns. This is a family pantomime.’
‘Sorry,’ De Niro said, and they both returned the replicas to the dresser. ‘It’s a hard habit to break, y’know. Right, Al?’ Pacino didn’t speak, just kept his eyes toward the floor.
‘Okay, okay,’ said the runner. ‘Just put your bloody hooves on and let’s move.’
Pacino waited until he’d gone and then slipped the horse head over his own, glad that the tears in his eyes were shielded from his colleague. Behind him he felt Bob grab onto his hips, bend over into a ninety-degree angle, and heard his muffled voice telling him to go. At least he had the head tonight, he didn’t think he could handle being the ass, not the way he was feeling. They fumbled their way out of the tiny dressing room and moved up the corridor, hooves beating a slow and sad melody against the tiles as they headed toward the stage…
(c) Rich Wilson - 2011
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“While the first draft can be crafted in the trenches of an altered state, the editing process takes a sharp mind … While I don’t recommend that you...”
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This image reminds me of Faces in the Water by Janet Frame.
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Oh my god I want to cook you every breakfast.
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skeyes7life asked: So I just started following you here and have a question about your writing. I hope to be a writer one day, and just wonder about how it is like- writing as a career, do you like it? It may be a stupid question, but I just don't want my passion for writing to die off because it became a job. I do not think my passion will die off, I just want to know what a writer thinks.
Writing for a career is like fucking for abstinence. You’re basically trying to do for a living what most people think of as an afternoon hobby....
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There are few better feelings than having your degree essay finished a day in advance.
I will sleep well tonight.
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I keep wanting to dislike Sherlock as Doctor Who has been so poorly written, but it really is very good.
